大家好，感谢邀请，今天来为大家分享一下歌剧魅影下载的问题，以及和歌剧魅影 rmvb 下载的一些困惑，大家要是还不太明白的话，也没有关系，因为接下来将为大家分享，希望可以帮助到大家，解决大家的问题，下面就开始吧！

歌剧魅影，这部经典的音乐剧，自诞生以来就吸引了无数观众的眼球。它的音乐、剧情以及舞台效果，都让人陶醉其中。今天，就让我们一起走进这部经典之作，探讨歌剧魅影下载的种种奥秘。

一、歌剧魅影简介

歌剧魅影，又名《歌剧魅影》（The Phantom of the Opera），是由英国作曲家安德鲁·劳埃德·韦伯创作的一部音乐剧。该剧于1986年在伦敦首演，自那以后，便在全球范围内取得了巨大的成功。歌剧魅影的故事发生在19世纪末的巴黎歌剧院，讲述了一位名叫拉法埃尔的神秘男子与女主角克里斯汀之间的爱情故事。

二、歌剧魅影下载的优势

1. 随时随地欣赏：下载歌剧魅影，让您随时随地欣赏这部经典之作。无论是乘坐地铁、等待朋友，还是躺在沙发上休息，您都可以随时打开手机或电脑，享受这部音乐剧带来的视听盛宴。

2. 高清画质，音质出众：歌剧魅影下载版本通常为高清画质，音质出众，让您在欣赏音乐剧的也能感受到音乐的魅力。

3. 方便分享：下载后的歌剧魅影，您可以方便地分享给亲朋好友，一起感受这部经典之作的魅力。

三、歌剧魅影下载途径

1. 官方网站：歌剧魅影的官方网站提供了多种下载方式，包括高清视频、音频等。您可以在官网上购买并下载。

2. 在线视频平台：如腾讯视频、爱奇艺等，这些平台上有歌剧魅影的官方正版视频，您可以付费观看或下载。

3. 第三方下载网站：如百度网盘、迅雷等，这些网站上有大量免费或付费的歌剧魅影下载资源。

四、歌剧魅影下载注意事项

1. 版权问题：在下载歌剧魅影时，请确保所下载的资源为正版，避免侵犯版权。

2. 下载速度：下载歌剧魅影时，建议选择下载速度较快的平台，以免影响观看体验。

3. 存储空间：歌剧魅影的下载文件较大，请确保您的设备有足够的存储空间。

五、歌剧魅影经典台词

1. “The music of the night, has lost its power, over me.”

2. “All that glitters is not gold, all the world’s a stage.”

3. “The Phantom of the Opera, he is not alone.”

六、总结

歌剧魅影下载，让这部经典之作走进我们的生活，让我们在忙碌的生活中，找到一份宁静与感动。下载歌剧魅影，感受音乐剧的魅力，让生活更加美好。

歌剧魅影下载途径	优势	注意事项
官方网站	官方正版，画质高清	版权问题
在线视频平台	观看方便，正版保障	价格昂贵
第三方下载网站	资源丰富，价格低廉	版权问题，下载速度慢

歌剧魅影的txt全集下载地址

歌剧魅影 txt全集小说附件已上传到百度网盘，点击免费下载：

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第一章黑衣游魂

那一晚，巴黎歌剧院两位刚刚辞职的经理，德比恩和波里尼先生为自己的离开举办了一场饯别晚会。女主角莎莉的化妆室里突然闯入了六个即将登台表演“波里尔特”芭蕾舞的女演员。这几个女孩手足无措、神色惶恐地挤成一团，同时还发出充满恐惧感的尖叫声。莎莉小姐本想在自己的化妆室里安安静静地复习接下来的饯别致词，但是现在，她被身后这群吵吵闹闹的女孩弄得烦躁不安。于是她放下手中的致词稿，回过头，好奇地看着她们，不由地担心起这场纷闹的原因来。就在这时，小珍丝声音颤抖地吐出了四个让人瞬间窒息的字：“真的是鬼。”当时，她的手正扶在门把手上。说完便迅速地把门锁上了。这个女孩有一双水汪汪的大眼睛、高鼻梁，面色红润、皮肤雪白。但此时，她的脸已经惨白了。

虽然女主角莎莉的化妆室装饰得十分典雅，但也没有什么特别的地方，除了一些必备的家具——一面可以活动的穿衣镜，一个沙发，一个梳妆台以及几个衣橱外，墙上还挂了一些意……

以上

求《剧院魅影》里的所有咏叹调

音乐剧《歌剧魅影》中的《the phantom of opera》

歌曲附加歌词：

《The music of the night(夜的乐章)》歌词

Night time heightens each sensation

Darkness wakes and stirs imagination

Silently the senses abandon their defenses

Helpless to resist the notes I write

For I compose the music of the night

Slowly, gently, night unfurls its splendor

Grasp it! tremulous and tender

Hearing is believe, music is deceiving

Hard as lighting, soft as candle light

Dare you trust the music of the night.

Close your eyes will only tell the truth

And the truth isnt what you want to see

In the dark it is easy to pretend

That the truth is what it ought to be

Softly,gently, music shall caress you

Hear it! feel it! secretly possess you

Open up your mind,let your fantasies unwind

IN this darkness which you know you cannot fight

The darkness of the music of the night

Close your eyes start a journey to a strange new world

Leave all thoughts of the world you knew before

Close your eyes and let music set you free

Only then can you belong to me

Floaing, falling, sweet intoxication

Touch me! trust me! savor each sensation

Let the dream begin, let your darker side give in

To the power of the music that I write

The power of the music of the night

You alone can make my song take flight

Help me make the music of the night.

all i ask of you歌词

no more talk of darkness,

forget these wide-eyed fears.

i’m here,

nothing can harm you-

my words will warm and calm you.

let me be your freedom,

let daylight dry-your tears.

i’m here,

with you, beside you,

to guard you

and to guide you…

christine

say you love me

every waking moment,

turn my head

with talk of summertime…

say you need me with you,now and always…

promise me that all

you say is true-

that’s all i ask of you…

raoul

let me be your shelter,

let me be your light.

you’re safe:

no-one will find you.

your fears are far behind you…

christine

all i want is freedom,

a world with no more night…

and you always beside me

to hold me and to hide me…

raoul

then say you’ll share with me one love,one lifetime

iet me lead you

from your solitude…

say you need me with you

here, beside you…

anywhere you go,

let me go too-

christine,

that’s all i ask of you…

christine

say you’ll share with me one love, one lifetime…

say the word

and i will follow you…

both

share each day with me, each night, each morning…

christine

say you love me…

raoul

you know i do…

both

love me-

that’s all i ask of you…

(they kiss)

love me-

that’s all i ask of you..

think of me英文歌词(Encore版）Christine- Think of methink of me fondly,when we’ve saidgoodbye.Remember meonce in a while-please promise meyou’ll try.When you findthat, onceagain, you longto take your heart backand be free-if youever find a moment,spare a thoughtfor me…We never saidour lovewas evergreen,or as unchangingas the sea-but ifyou can stillremember,stop and thinkof me…Think of all the thingswe’ve shared and seen-don’t think about the thingswhich might have been…Think of me,think of me waking,silent andresigned.Imagine me,trying too hardto put youfrom my mind.Recall those days,look back on all those times,think of the thingswe’ll never do-there willnever bea day, whenI won’t thinkof you…Raoul-Can it be?Can it be Christine?What a change!You’re reallynot a bitthe gawkish girlthat once you were… She maynot rememberme, butI rememberher…Christine- We never saidour lovewas evergreen,or as unchanging as the sea-but pleasepromise methat sometimesyou will thinkah-ah-ah-ah-aaah-of me!Think of methink of me fondly,when we’ve saidgoodbye.Remember meevery so often- promise meyou’ll try.When you findthat, onceagain, you longto take your heart backand be free-if youever find a moment,spare a thoughtfor me…We never saidour lovewas evergreen,or as unchangingas the sea-but ifyou can stillremember,stop and thinkof me…

Angel of Music英文歌词：（The Phantom of the Opera录音版）Phantom’s voice Bravi, bravi, bravissimi…Meg Where in the world have you been hiding?Really, you were perfect!I only wish I knew your secret!Who is this new tutor?Christine Father once spoke of an angel,I used to dream he’d appear.Now as I sing I can sense him,And I know he’s here.Here in this room he calls me softly.Somewhere inside, hiding.Somehow I know he’s always with me,He– the unseen genuis.Meg Christine, you must have been dreaming,Stories like that can’t come true.Christine, you’re talking in riddles,And it’s not like you.Christine Angel of Music!Guide and guardian!Grant to me your glory!Meg Who is this angel?This…both Angel of Music!Hide no longer!Secret and strange angel.Christine He’s with me, even now…Meg Your hands are cold…Christine All around me…Meg Your face, Christine, it’s white…Christine It frightens me…Meg Don’t be frightend…

Little Lotte英文歌词

RAOUL: Christine Daae, where is your scarf?

CHRISTINE: Monsieur?

RAOUL: You can’t have lost it. Not after all the trouble I took. I was just fourteen and soaked to the skin…

CHRISTINE: Because you had run into the sea to fetch my scarf. Oh, Raoul. So it is you!RAOUL: Christine. Little lotte Let your mind wander…CHRISTINE: Remember that, too…?RAOUL: Little lotte thought: Am I fonder of dolls,BOTH: Or of goblins or shoesCHRISTINE: Or of riddles or frocks…RAOUL: Those picnics in the attic? or of chocolatesCHRISTINE: Father playing the violin…RAOUL: As we read to each other dark stories of the North…CHRISTINE: No, what I love best, Lotte said, is when I’m asleep in my bed, and the Angel of Music sings songs in my head!”BOTH: the Angel of Music sings song in my head!CHRISTINE: Father said,”When I’m in heaven, child, I will send the Angel of Music to you”. Well, father is dead, Raoul, and I have been visited by the Angel of Music.RAOUL: There’s no doubt of that. But now, we’ll go to supper!CHRISTINE: No, Raoul, the Angel of Music is very strict.RAOUL: I shan’t keep you up late!CHRISTINE: No, Raoul…RAOUL: You must change. I must get my hat. Two minutes Little Lotte.CHRISTINE: Raoul! Things have changed, Raoul

The Mirror英文歌词PHANTOM’S VOICEInsolent boy!This slaveof fashionbasking in yourglory!Ignorant fool!This braveyoung suitor,sharing in mytriumph!CHRISTINE(spell-bound)Angel! I hear you!Speak-I listen…stay by my side,guide me!Angel, my soul was weak-forgive me…enter at last, Master!PHANTOM’S VOICEFlattering child,you shall know me,see why in shadowI hide!Look at your facein the mirror-I am thereinside!(The figure of the PHANTOM becomes discernible behind the mirror)CHRISTINE(ecstatic)Angel of Music!Guide and guardian!Grant to me yourglory!Angel of Music!Hide no longer!Come to me, strangeangel…PHANTOM”S VOICEI am your Angel…Come to me: Angel of Music…(CHRISTINE walks towards the glowing, shimmering glass. Meanwhile, RAOUL has returned. He hears the voices and is puzzled. He tries the door It is locked)RAOULWhose is that voice…?Who is that in there…?(Inside the room the mirror opens. Behind it, in an inferno of white light, stands the PHANTOM. He reaches forward and takes CHRISTINE firmly, but not fiercely, by the wrist. His touch is cold, and CHRISTINE gasps)PHANTOMI am your Angel of Music…Come to me: Angel of Music…(CHRISTINE disappears through the mirror, which closes behind her The door of the dressing room suddenly unlocks andngs open, and RAOUL enters to find the room empty)RAOUL Christine! Angel!

learn to be lonely学会孤单

Child of the wilderness

Born into emptiness

Learn to be lonely

Learn to find the way in darkness

Who will be there for You

Comfort and care for You

Learn to be lonely

Learn to be Your one companion

Ever dream out in the world

There are arms to hold You

You’ve always known

Your heart was on its own

So laugh in Your loneliness

Child of the wilderness

Learn to be lonely

Learn how to love

Life that is lived alone

Learn to be lonely

Life can be lived

Life can be loved

Alone.

learn to be lonely学会孤单

被抛弃的孩子

生来空虚

学着孤独

学着在黑暗的路中寻找

那个等着你，抚慰你，关心你的人

学着孤独

学着一人作伴

梦想着，整个世界

到处是拥抱你的臂膀

正如你心所想

你独自担当

那么，孤独时放声大笑

被抛弃的孩子

学着孤独

学会去爱

孤单的生活

学着孤独

我们可以独自生活

我们可以独自去爱

Phantom of the Opera

L I B R E T T O

Prologue-The Stage of the Paris Opera, 1911

AUCTIONEER:

Sold. Your number, sir? Thank you.

Lot 663, then, ladies and gentlemen:

a poster for this house's production of”Hannibal” by Chalumeau.

PORTER:

Showing here.

AUCTIONEER:

Do I have ten francs? Five then. Five I am bid.

Six, seven. Against you, sir, seven.

Eight. Eight once. Selling twice.

Sold, to Raoul, Vicomte de Chagny.

Lot 664: a wooden pistol and three human skulls

from the 1831 production of”Robert le Diable” by Meyerbeer.

T en francs for this. Ten, thank you.

Ten francs still. Fifteen, thank you, sir Fifteen I am bid.

Going at fifteen. Your number, sir?

665, ladies and gentlemen:

a papier-mache musical box, in the shape of a barrel-organ.

Attached, the figure of a monkey in Persian robes playing the cymbals.

This item, discovered in the vaults of the theatre, still in working

order.

PORTER:

Showing here.

AUCTIONEER:

May I start at twenty francs? Fifteen, then?

Fifteen I am bid. Sold, for thirty francs to the Vicomte de Chagny.

Thank you, sir.

RAOUL:

A collector's piece indeed… every detail exactly as she said…

She often spoke of you, my friend….Your velvet lining, and your

figurine of lead…

Will you still play, when all the rest of us are dead?

AUCTIONEER:

Lot 666, then: a chandelier in pieces.

Some of you may recall the strange affair of the Phantom of the Opera:

a mystery never fully explained.

We are told, ladies and gentlemen,

that this is the very chandelier which figures in the famous disaster.

Our workshops have repaired it and wired parts of it for the new

electric light,

so that we may get a hint of how it may look when reassembled.

Perhaps we may frighten away the ghost of so many years ago

with a little illumination, gentlemen?

Hannibal

CARLOTTA:

This trophy from our saviours, from our saviours!

From the enslaving force of Rome!

GIRL'S CHORUS:

With feasting and dancing and song, tonight in celebration, we greet

the victorious throng, returned to bring salvation!

MEN'S CHORUS:

The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark

to our step on the ground!

ALL:

Hear the drums– Hannibal comes!

PIANGI:

Sad to return to find the land

we love threatened once more by Roma's far-reaching grasp,

REYER:

Signor… if you please:”Rome”.

We say”Rome' not”Roma”

PIANGI:

Si, si, Rome, not Roma. Is very hard for me.

LEFEVRE:

This way, gentlemen, this way.

Rehearsals, as you see, are under way, for a new production of

Chalumeau's”Hannibal”.

Ladies and gentlemen, some of you may already, perhaps, have met M.

Andre and M. Firmin…

REYER:

I'm sorry, M. Lefevre, we are rehearsing.

If you wouldn't mind waiting a moment?

LEFEVRE:

My apologies, M. Reyer. Proceed, proceed…

REYER:

Thank you, monsieur.

“Sad to return…” Signor…

LEFEVRE:

M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid.

PIANGI:

Sad to return to find the land we love

threatened once more by Rome's far-reaching grasp.

Tomorrow, we shall break the chains of Rome.

Tonight, rejoice- your army has come home.

LEFEVRE:

Signor Piangi, our principal tenor.

He does play so opposite La Carlotta.

GIRY:

Gentlemen, please! If you would kindly move to one side?

LEFEVRE:

My apologies, Mme. Giry.

Mme. Giry, our ballet mistress.

I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the

whole blessed business.

FIRMIN:

I keep asking you, monsieur, why exactly are you retiring?

LEFEVRE:

We take a particular pride here in the excellence of our ballets.

ANDRE:

Who's that girl, Lefevre?

LEFEVRE:

Her? Meg Giry, Madame Giry's daughter.

Promising dancer, M. Andre, most promising.

GIRY:

You! Christine Daa?! Concentrate, girl!

MEG:

Christine… What's the matter?

FIRMIN:

Daa?? Curious name

LEFEVRE:

Swedish.

ANDRE:

Any relation to the violinist?

LEFEVRE;

His daughter, I believe.

Always has her head in the clouds, I'm afraid.

CHORUS:

Bid welcome to Hannibal's guests-the elephants of Carthage!

As guides on our conquering quests, Dido sends Hannibal's friends!

CARLOTTA:

Once more to my welcoming arms my love returns in splendour!

PIANGI:

Once more to those sweetest of charms my heart and soul surrender!

CHORUS:

The trumpeting elephants sound– hear, Romans, now and tremble! Hark

to their step on the ground– hear the drums! Hannibal drums!

LEFEVRE:

Ladies and gentlemen- Madame Giry, thank you- may I have your

attention, please?

As you know, for some weeks there have been rumours of my Imminent

retirement.

I can now tell you that these were all true and it is my pleasure to

introduce to you

the two gentlemen who now own the Opera Populaire, M. Richard Firmin

and M. Gilles Andre.

Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five

seasons now.

ANDRE:

Of course, of course. I have experienced all your greatest roles,

Signora.

LEFEVRE:

And Signor Ubaldo Piangi.

FIRMIN:

An honour, Signor.

ANDRE:

If I remember rightly, Elissa has a rather fine aria in Act Three of

“Hannibal”.

I wonder, Signora, if, as a personal favour, you would oblige us with a

private rendition?

Unless, of course, M. Reyer objects…

CARLOTTA:

My manager commands… M. Reyer?

REYER:

My diva commands. Will two bars be sufficient introduction?

FIRMIN:

Two bars will be quite sufficient

REYER:

Signora?

CARLOTTA:

Maestro.

CARLOTTA:

Think of me, think of me fondly

when we've said goodbye…

Remember me, Every so often,

Please promise me you'll try…

On that day, that not so distant day,

when you are far away and free,

if you ever find a moment, spare a thought for me…

Think of me, think of me…

CHORUS:

The Phantom of the Opera! He's with us, he's a ghost…

He's here! The Phantom of the Opera!

LEFEVRE:

Signora! Are you all right? Buquet! Where is Buquet? Get that man down

here! Chief of the flies. He's responsible for this.

Buquet! For God's sake, man, what's going on up there?

BUQUET:

Please monsieur don't look at me:

as God's my witness,I was not at my post.

Please monsieur, there's no one there:

and if there is, well then, it must be a ghost…

MEG:

He's there; the Phantom of the Opera…

ANDRE:

Good heavens! Will you show a little courtesy?

FIRMIN:

Mademoiselle, please…

ANDRE:

These things do happen!

CARLOTTA:

Si! These things do happen! Well, until you stop these things

happening, this thing does not happen!

Ubaldo! Andiamo!

PIANGI:

Amateurs!

LEFEVRE:

I don't think there's much more to assist you, gentlemen. Good luck.

If you need me, I shall be in Frankfurt.

ANDRE:

La Carlotta will be back.

GIRY:

You think so, messieurs? I have a message, sir, from the Opera Ghost.

FIRMIN:

God in Heaven, you're all obsessed!

GIRY:

He merely welcomes you to his opera house

and commands you to continue to leave Box Five empty for his use

and reminds you that his salary is due.

FIRMIN:

His salary?

GIRY:

Monsieur Lefevre paid him twenty thousand francs a month.

Perhaps you can afford more, with the Vicomte de Chagny as your patron.

ANDRE:

Madame, I had hoped to have made that announcement myself.

GIRY:

Will the Vicomte be at the performance tonight, monsieur?

FIRMIN:

Yes, in our box.

ANDRE:

Madame, who is the understudy for this role?

REYER:

There is no understudy, monsieur- the production is new.

MEG:

Christine Daae could sing it, sir.

FIRMIN:

The chorus girl?

MEG:

She's been taking lessons from a great teacher

ANDRE:

From whom?

CHRISTINE:

I don't know, sir…

FIRMIN:

Oh, not you as well! Can you believe it?

A full house- and we have to cancel!

GIRY:

Let her sing for you monsieur. She has been well taught!

REYER:

From the beginning of the aria then, mam'selle.

Think of Me

CHRISTINE:

Think of me, think of me fondly, when we've said goodbye. Remember me

every so often– promise me you'll try.

FIRMIN:

Andre, this is doing nothing for my nerves.

ANDRE:

Don't fret, Firmin.

CHRISTINE:

On that day, that not so distant day, when you are far away and free,

if you ever find a moment, spare a thought for me…

And though it's clear, though it was always clear that this was never

meant to be, if you happen to remember, stop and think of me….

Think of August when the trees were green- don't think about the ways

things might have been…

Think of me, think of me waking, silent and resigned. Imagine me,

trying too hard to put you from my mind. Think of me, please say you'll

think of me, whatever else you choose to do– There will never be a

day when I won't think of you…

RAOUL:

Can it be? Can it be Christine? Brava!… Brava!

Long ago… It seems so long ago… How young and innocent we were

… She may not remember me, but I remember her…

CHRISTINE:

Flowers fade, the fruits of Summer fade– they have their season, so

do we… But please promise me that sometimes, you will think……

of me!

GIRY:

Yes, you did well. He will be pleased.

(to the DANCERS) And you! You were a disgrace tonight!

Such ronds de jambe! Such temps de cuisse! Come, we rehearse. Now!

Angel of Music

PHANTOM:

Brava, brava, bravissima…

MEG:

Where in the world have you been hiding?

Really, you were perfect!

I only wish I knew your secret!

Who is this new tutor?

CHRISTINE:

Father once spoke of an angel…

I used to dream he'd appear

《歌剧魅影》花组VS宙组txt全集下载

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宝冢剧团禁止组织或个人使用其图像、视频、文字等，包括放在粉丝网站也不行。我不拥有以下图片的版权，其版权归宝冢剧团所有。在此发布的目的是宣传此剧团。如果转载本文，请转载此段声明。

—————-我是花痴的分界线—————

很难比较呢。要听歌的，当然是看花组的狐狸了。要看Top和娘T有爱的，当然是宙组万年火辣和花夫妻了。

真为难，怎么办呢？（以下各图，均为左边花组狐狸版，右边宙组和花版）

2006花组（官网DVD封面上索性只有狐狸一个人！）2004宙组（和花夫妇总是在一起）

看点一:开场曲。和央大人很有型，毋庸置疑，很适合魅影的形象。基本上，和央的歌也是中规中矩的。狐狸呢，一如既往的妖媚，不过也没人规定魅影不能妖媚。狐狸的歌当然也……一如既往的狐狸……汗。其实和央更像是大家熟悉的那个魅影。狐狸更像多愁善感的文艺青年……哈哈。和央的舞蹈自然和以往一样干净利落有力度。狐狸嘛，这段舞还没开始娘，也算比较正常了。

看点二：Melody。……

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